Tag Archives: Kiss of The Water Nymph
Writing a series is different from writing a stand-alone story. Well, duh. I currently have three series on the go, and I flit from one to another, fitting in one-offs in-between.
Blood & Breakfast was initially intended as a one-off, a kind of spoof on Norwegian Noir but set in my home town. I chucked in what little I knew then of Norwegian culture and away I went. I even started learning the language. A second draft brought the police detectives assigned to the case to the fore, and the story came to be seen largely through the eyes of newcomer Detective Inspector Brough.
I enjoyed writing these coppers so much I decided to give them more cases to investigate. And so the Brough & Miller series came to be. Their seventh story, Zorilla At Large! is due out any day now,
I like to write in different genres and challenged myself to write a Western, following the conventions as best as I could. It soon became clear – during the writing of the first page, in fact! – that my Western was going to be different. It occurred to me that my hero Jed’s horse was a Horse – a highly enhanced life-form with amazing capabilities. A bit like an iPhone with four legs, or Siri with a saddle. As I explored Jed’s world, a new planet was born. I’m currently working on the third Vultures’ Moon novel. It feels like the last in a trilogy (being the third – duh, again!) but whether there’ll be any more after this one remains to be seen.
Kiss of the Water Nymph is the only book I have written with a series in mind from the get-go. Hector Mortlake is a late-Victorian novelist, travelling the world with his man Cuthbert and getting embroiled in all kinds of Hammer Horror/Jules Verne adventures in the pursuit of inspiration for his fiction. His second exploit, Xolotl Strikes! is also imminent on the e-book shelves.
Writing later instalments means you have already created the main characters and the set-up, so you have to bring something new to the party. I dip into the lives of Brough and Miller and their co-workers at six-monthly intervals and catch up with what’s happened to them. The world of Vultures’ Moon becomes richer with each visit. The trick is not to keep writing the same story but to take what I’ve already created and develop it, revealing new aspects and ideas while retaining enough familiar elements to make it recognisably part of an extended narrative. That’s what I mean by writing a series is different. Why I didn’t just say that at the outset, I don’t know. I could have saved us both a lot of time. Soz.
So, while most people binge-watch series on Netflix and by other means, I binge-write them. I hope you’ll find one to suit your tastes and interests. Repeat customers are the best customers.
Thanks for reading. Keep doing it.
Here’s the interview I recorded the other week, babbling about KISS OF THE WATER NYMPH
William Stafford lives and writes in the Black Country. After working in libraries and teaching Drama in schools and colleges, he now devotes much of his time to his novels, which blend his irrepressible sense of humour with science fiction, historical fantasy, or whodunits.
He speaks to Jason McCrossan on 106.9 SFM www.sfmradio.com about his latest novel Kiss of the Water Nymph: A Hector Mortlake Adventure.
Seeking inspiration, hack writer Hector Mortlake embarks on a journey across late 19th century Europe. He invites the people he encounters to submit short stories to a contest but soon the travellers find themselves at an isolated hotel and caught up in a series of suspicious deaths. Could there be something to the local myth of the water nymph after all?
I’m currently preparing the manuscript of my next novel for submission to my publisher. Feedback from my readers is good – the book is a little different from the others.
It’s set at the end of the 19th century. Hack writer Hector Mortlake is travelling across Europe in the hope of finding inspiration for a new story. He enlists the people he meets to take part in a story-telling competition (much like The Canterbury Tales) and so the narrative is broken up with the short stories as the characters tell them. I tried to make sure each story is in keeping with the style, period and theme of the main plot. Variations on a theme, you might say.
I’d wanted to write a vampire story – but these have been done to death lately. As a compromise a couple of the short stories have vampire themes: my homage to Bram Stoker’s Dracula, which came out around the time my book is set.
As a child I loved to stay up late to watch late-night horror films on BBC2. Hammer Horrors like The Reptile
and The Blood Beast Terror
have influenced this book, and then recently I watched Ken Russell’s film adaptation of Stoker’s The Lair of the White Worm (I’d found the book hard-going) and loved it (Check it out: not only is a floppy-haired Hugh Grant in it, but there’s also an early appearance from the Doctor himself, Peter Capaldi). Russell’s film tickled me with its saucy humour. This is right up my alley, I thought. Readers of my books will know I can’t resist innuendo – this book is perhaps the most riddled with them.
It’s called KISS OF THE WATER NYMPH and I’m very pleased with it.
Watch this space for more news.